Within seconds, you will find a sweet spot where both guitars blend perfectly, because by sweeping through the phase angle control, you’re applying very complex comb filters which you could not create with other EQ. Just insert the stereo version of the RSPhaseShifter into one of those pair of tracks and play around in Mirror mode, so that both sides of your processing track are ganged. They sound nasty because both are modeling–based guitar amp simulations. Another scenario would be you have a set of two distorted guitar tracks recorded with different guitars or amps but playing the same riff.Sweep the phase angle control and fine tune the frequency and…Bang! Suddenly, it sound awesome. When you try to blend the DI track with the re–amped track, it sounds…awful! Just grab RSPhaseShifter, insert it into the DI’d track, and start off with a low frequency setting. You drop that track into a project so you can re–amp it, and dial up a great re–amped sound. You have a DI’d bass track which sounds dry and lifeless.A common example would be when a stereo pair of ambiance mics suffer from slightly different distances to a localized source. For most applications, it makes sense to use RSPhaseShifter on just one channel, rather than on both stereo channels.
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